Saint Peter from Sinai 6 c

Saint Peter, encaustic icon, St. Catherine Monastery, Sinai, 6th century. Visible, above St. Peter, form left to right : St. Menas, Christ, and the Theotokos.

The Saint is portrayed with large wide-open eyes, short gray hair and short well-groomed beard, holding a cross in the left hand and three keys in the right. The face is painted in the tradition of the encaustic Fayoum portraits of Alexandrian art. The Saint's head is surrounded by a large golden halo. The top fo the icon is occupied by three small medallions. The middle one, with a cross in the background, contains a portrait of Christ and the right one a portrait of the Virgin. The identification of the beardless youth portrayed in the third medallion has posed a problem to scholars. Some believe that he should be identified either with Moses or St. John the Evangelist. The latter is the choice of several scholars because he appears to correspond to the Virgin on the right of the crucified Christ. Besides, the depiction of these particular holy figures in the three medallions may be interpreted as a representation of the Crucifixion, and linked with the obvious symbolism of the cross in St. Peter's hand, which can but allude to the Saint's death on the cross. Various scholars have dated this icon to the 6th or 7th century, though an earlier date in the 5th century cannot be ruled out. It is painted using the encaustic technique (0.52 X 0.39 m)

For we have not followed cunningly devised fables, when we made known unto you the power and coming of our Lord Jesus Christ, but were eyewitnesses of his majesty.
For he received from God the Father honour and glory, when there came such a voice to him from the excellent glory, This is my beloved Son, in whom I am well pleased.
And this voice which came from heaven we heard, when we were with him in the holy mount.

2 Peter 1:16-18

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